thtk cell phone submission

cell phone text to THTK

cell phone text to THTK

cell phone text to THTK

review: KQED San Francisco

T.H.T.K. (San Francisco) at SF Camerawork reviewed here, and includes a link to an interview as well!

T.H.T.K. (SAN FRANCISCO) opens Jan 16th

Submission of 208 slides from SF

So pleased to receive a submission of 208 slides from San Francisco!  A selection of them will debut soon at SF Camerawork, info coming soon...

private submission

wedding album submission, 197 pictures

cell phone submission

Texting photos Too Hard to Keep

The archive project Too Hard to Keep now accepts submissions of cell phone photos.  Images can be sent directly to 312-953-2885.  Please delete image after receiving a response confirming receipt of your image(s).

THTK at the Art Institute of Chicago

I will be discussing the Too Hard to Keep archive at the Modern Wing of the Art Institute of Chicago as part of the ongoing Pecha Kucha series.  

Free with museum admission, August 16th, 2012 at 6pm

thtk submission, 3/19/12

three anonymous submissions from Belgium

new arrival: one public photo, 13 private, and one love letter

thtk documentation from Liege, Belgium

video here

Too Hard to Keep (Liege, Belgium)
2012

THTK now installed at PPAC in Philadelphia through 4/15/12

Of the Ordinary

February 9th- April 15th
Opening Reception: Thursday, February 9th 7-9pm
Gallery walkthrough with the artists: 6-7pm*
Book signings with Ron Jude, Christian Patterson & Ofer Wolberger: 7-7:30pm*
*Please note new times and dates

The Philadelphia Photo Arts Center is pleased to announce Of the Ordinary, a group exhibition including the work of Adam Broomberg & Oliver Chanarin, Alyse Emdur, Ron Jude, Jason Lazarus, Christian Patterson and Ofer Wolberger.

At a time when photography itself is undergoing a tremendous transformation within popular culture and the art world alike, the act of appropriation has become imbued with a new kind of energy. With a galaxy of images circulating without boundaries, moving from one place to another, we can only speculate on what their final resting place(s), if any, may be. Each time the context of a photograph changes, whether it be a digital file or a physical print, the ways in which it is experienced, understood and reinterpreted will also adapt. The act of working with other people’s photographs, whether they are new, old, prints, digital files or otherwise, has been given a new relevance by the mitigating circumstances of contemporary life and image-making. This extends the mutability of meaning embedded within the medium itself and grants more permission to the viewer and author to generate new contexts and interpretations.

Of the Ordinary is comprised of imagery that was never intended to be experienced in the context of a gallery or museum.  The focus of this exhibition is an interest in the political implications of portraiture, highlighting the various ways in which images are created, distributed and experienced in a contemporary setting. Many of the projects highlighted in this exhibition employ the method of editing an existing body of images to further investigate their meaning.

A publication including images from each artist’s project will be produced in conjunction with this exhibition. It will be available for purchase at PPAC.

CONTACT:
Christopher Gianunzio
Exhibitions Coordinator
215 232.5678
christopher@philaphotoarts.org

St. Petersburg Times article on THTK by Elisabeth Parker

Artist collects photographs that are too hard to keep for exhibit.

By Elisabeth Parker, Times Staff Writer
In Print: Friday, December 9, 2011

NORTH TAMPA — The pictures may appear routine to outsiders, but they vibrate with emotion in the hands of their owners.

A woman bathes in an industrial sink. A man holds his head next to an angel statue. Two couples exchange vows.

They came into the hands of Jason Lazarus because people across Hillsborough found them too difficult to hold onto, but somehow too valuable to simply throw away.

They've become part of Lazarus's "Too Hard to Keep" archives, a compilation of photos collected from around the world over the past two years. The project will be included in upcoming exhibits in Philadelphia and Belgium.

Lazarus stopped in the Tampa Bay area as a visiting art professor at the University of South Florida. Throughout the fall semester, he has taught an art class, advised five graduate students and worked with students to re-create cardboard Occupy Wall Street signs modeled from worldwide images found online.

Aside from that, he advertised his project and made appointments to meet locals who wanted to contribute. He is still collecting, although he will return to his home in Chicago next week.

Lazarus started accumulating pictures two years ago and now has about 1,500 photos in the archive, coming from as far as Europe and South America.

The project's appeal, he says, is in its inclusivity. The photos expose the pain and ecstasy of everyday life. It's a public partnership to create art.

In exhibits, they are viewed with no back story. But often Lazarus hears the stories. The man holding his head sent the photo to a former lover. She gave it to Lazarus last month, shortly after the man committed suicide.

A classic bound album engraved with a wedding date came with a note relinquishing ownership. Inside, everything you would expect. Except that the remaining smiling faces sit by empty spots where the black pages have been ripped.

"It went from elegant to macabre," Lazarus says from his temporary home in a Seminole Heights bungalow, decorated with thrift store finds, sipping a can of his favorite sparkling water.

The photographs, he says, mix fact and fiction, as memories do. A frame captures a slice of life, separating it from the context.

His favorite newest additions to the Tampa area archives include undeveloped rolls of film and a picture imprinted on a used white candle of an old man celebrating his birthday. He also likes landscapes, because he says anyone can relate to them.

There are rules for submissions:

• Keep no copies.

• Narratives describing the photo(s) will be kept, but not exhibited and are not necessary.

• Photos can remain in an envelope in the exhibit. (Some have contributed photos that they prefer not be shown. Viewers of the exhibit will see only the envelopes enclosing them.)

The archive scan be viewed at an exhibit in February at the Philadelphia Photo Arts Center and then in March at an exhibit in Belgium.

Lazarus says the archive serves two purposes for those who donate: ridding them of the photo and allowing them to enter into a bigger conversation about the way we live our lives and how photography plays into it.

"I am the kind of person who would have images too hard to keep," Lazarus said.

It's how he came up with the idea. At first, he included his own in the archive. He won't reveal their nature. But looking at them regularly was so painful, he took them out, and shredded them.

Elisabeth Parker can be reached at eparker@tampabay.com or (813) 316-8342.